We are a production duo with international screening experience looking to diversify our portfolio for free, but are looking for the right film with a director that shares our vision. We specialize in:
Incorporating background sounds/foley from films INTO music
Recording tons of high-quality 96k/48 field noises already that we can work with
Writing electronic, ambient, rock and folk tracks
We put up some samples of our music here, but can create new songs TO film instead of just adapting previous work.
https://soundcloud.com/willcopps/sets/brittany-jean-and-will-copps
--Neighborhoods: Experimental background track reminisces on the explorations of childhood and strongly incorporates field sounds
--Thistle: Sad and sentimental but uplifting: "I'll think of you as you fall--fall asleep. And before you are gone I'll whisper everything that you already know"
--Sandbridge: Uplifting, hope-raising opening or closing track a bit more reminiscent of M83
--The Smoke/The Snow: Experimental "makes background sounds part of the song" out-of-the-gates single
We are proficient in Adobe Premiere, Presonus Studio One, Ableton Live, Adobe Audition, PureData, Resolume Avenue, and other software.
Who are we??
Will Copps is a Germany-based audio/visual artist known for his explorations of synaesthesia, sound engineering, and his generative audio/visual installations. He has exhibited at the Smithsonian Institute in Washington, DC; the State Russian Museum in St. Petersburg, Russia; and galleries and festivals internationally. Copps' first film, "Awakening," exhibited in the United States, Northern Ireland, and Wales. His other work includes doing seminars and webinars, which he has done in the United States and Russia for the John F. Kennedy Center and others.
Brittany Jean has been writing, performing, and recording music since 2002, releasing two EPs, playing gigs like the National Cherry Blossom Festival, and opening for Hanson, Rooney, and others. She was recently featured in the Deli Poll magazine for DC’s best emerging artists.
Incorporating background sounds/foley from films INTO music
Recording tons of high-quality 96k/48 field noises already that we can work with
Writing electronic, ambient, rock and folk tracks
We put up some samples of our music here, but can create new songs TO film instead of just adapting previous work.
https://soundcloud.com/willcopps/sets/brittany-jean-and-will-copps
--Neighborhoods: Experimental background track reminisces on the explorations of childhood and strongly incorporates field sounds
--Thistle: Sad and sentimental but uplifting: "I'll think of you as you fall--fall asleep. And before you are gone I'll whisper everything that you already know"
--Sandbridge: Uplifting, hope-raising opening or closing track a bit more reminiscent of M83
--The Smoke/The Snow: Experimental "makes background sounds part of the song" out-of-the-gates single
We are proficient in Adobe Premiere, Presonus Studio One, Ableton Live, Adobe Audition, PureData, Resolume Avenue, and other software.
Who are we??
Will Copps is a Germany-based audio/visual artist known for his explorations of synaesthesia, sound engineering, and his generative audio/visual installations. He has exhibited at the Smithsonian Institute in Washington, DC; the State Russian Museum in St. Petersburg, Russia; and galleries and festivals internationally. Copps' first film, "Awakening," exhibited in the United States, Northern Ireland, and Wales. His other work includes doing seminars and webinars, which he has done in the United States and Russia for the John F. Kennedy Center and others.
Brittany Jean has been writing, performing, and recording music since 2002, releasing two EPs, playing gigs like the National Cherry Blossom Festival, and opening for Hanson, Rooney, and others. She was recently featured in the Deli Poll magazine for DC’s best emerging artists.