Hi all,
Other threads about this have been unclear. One person says one thing, the other days a different think, and then they end up arguing. I am going to be shooting a feature film in Europe using an Arri Alexa. It will be released both in the US and Europe.
Does anyone have any experience with this? Theory is nice and all, which is what most of the posts about this topic have been referencing, but I know that in reality things are different. Would it make sense for me to shoot 24p or 25p if there is an equal number of festivals on ether side of the pond that this film will be screened at? The eventual distribution method is VOD or Netflix, but festivals is where it will make its heaviest splash.
Again, I appreciate any response from people with actual experience on this topic rather than theoretical textbook solutions quoting numbers, as many previous responses have been.
Other threads about this have been unclear. One person says one thing, the other days a different think, and then they end up arguing. I am going to be shooting a feature film in Europe using an Arri Alexa. It will be released both in the US and Europe.
Does anyone have any experience with this? Theory is nice and all, which is what most of the posts about this topic have been referencing, but I know that in reality things are different. Would it make sense for me to shoot 24p or 25p if there is an equal number of festivals on ether side of the pond that this film will be screened at? The eventual distribution method is VOD or Netflix, but festivals is where it will make its heaviest splash.
Again, I appreciate any response from people with actual experience on this topic rather than theoretical textbook solutions quoting numbers, as many previous responses have been.