Basically it just sounds static-ish, compared to recording other sounds. Why is it that percussion sounds, such as door slammings, sound static-ish with this mic. When I determine that, then I can determine what the problem is.
Without being able to hear the result of your unexplained recording process it seems like, from what you are describing, you're blowing out the mic diaphragm.
Now, since you don't think like a sound guy, here's a few things you might consider:
Opening all the doors and windows of the vehicle. This will cut down on the air compression inside the vehicle.
Try several different mic positions, including laying the seat(s) flat so you can position the mic off-axis.
Use a dynamic mic (3rd recommendation in this thread alone).
BTW, I've recorded vehicle door, hood and trunk slams (and many other vehicle sounds) from multiple perspectives with
large diaphragm mics, which are MUCH more sensitive to wind and transients than your AT4053b. With proper mic placement, proper protection and proper pre-amp/recorder settings I have gotten many wonderful recordings.
You really need to think all this over. Consider yourself alone in the wilderness without any hope of rescue; if you can't survive the trip, don't take the journey. You do not to retain information, you refuse to go back to information previously given to you (perhaps don't even remember that you've been given this information many times previously), and even refuse to do your own trouble-shooting, instead asking vague questions about vague circumstances expecting explicit solutions.
Being an artist, or even a technical artist such as a PSM/Boom-Op or audio post engineer, requires you to think independently, to do and retain the results of lots of study & experimentation, to rely on your previously acquired skill-set & experience, to do it creatively and to do it FAST.
As I have mentioned in the past, you don't THINK like a soundie. Maybe it's because you don't listen……….