Different Kinds of Mics

For narrative filmmaking you want mono.

The connector on the mic you want will depend on the input you have access to. XLR can be adapted to a standard audio plug type of jack, but you're losing the benefit of running XLR at that point... if that matters to you, at this point it may not.

First, it is called a SHOTGUN mic. Shotgun (a.k.a. LOBAR) mics are a primary choice for outdoor shoots. They (should) have good off-axis rejection. A cardioid mic is a better choice for indoor shoots.

Just as there are specific lenses, lights, etc. for specific situation there are specific mics for specific applications.

For capturing dialog you almost always (99.99%) of the time want a mono mic. Stereo mics can lead to phase cancelation problems.

Here are some articles about production sound to get you started:

http://filmmakeriq.com/production/a...nd-noise-when-using-a-shotgun-microphone.html

http://filmmakeriq.com/production/audio/guide-to-alternative-microphones-for-use-on-a-boompole.html

http://filmmakeriq.com/production/audio/boompole-buying-guide.html

http://filmmakeriq.com/production/audio/10-tips-for-better-audio-in-digital-video-production.html

http://filmmakeriq.com/production/audio/location-sound-the-basics-and-beyond.html

http://filmmakeriq.com/production/audio/choosing-a-shotgun-microphone.html

thankyou for the advice for using mono for dialog.