Quick overview of gear as it pertains to this question:
Nikon D810 (own)
Zoom H6 - not purchased
Ninja Blade - not purchased
Premiere Pro/Plural Eyes
Will the following work? (I could test it if I had the gear but I don't, and would like to know if I'm understanding how all of this works prior to purchasing.)
Workflow: Boom and wireless lavs (x2) into Zoom H6, record each as separate track (record on device itself), line out mixed track to Ninja Blade so that it can record an audio track synced with the HDMI feed from camera. Use this track as a scratch track, import all the separate tracks from the H6 into Premiere, use Plural Eyes to sync them all to clip and replace lower quality mixed track.
Or line out from H6 to camera, then piggyback the HDMI into the Blade to create a scratchtrack?
I know that I could just send audio directly into the Blade or Camera from a field preamp and be done with it, but I want higher quality tracks (24bit) for this project.
Any help/insights/advice would be greatly appreciated.
Nikon D810 (own)
Zoom H6 - not purchased
Ninja Blade - not purchased
Premiere Pro/Plural Eyes
Will the following work? (I could test it if I had the gear but I don't, and would like to know if I'm understanding how all of this works prior to purchasing.)
Workflow: Boom and wireless lavs (x2) into Zoom H6, record each as separate track (record on device itself), line out mixed track to Ninja Blade so that it can record an audio track synced with the HDMI feed from camera. Use this track as a scratch track, import all the separate tracks from the H6 into Premiere, use Plural Eyes to sync them all to clip and replace lower quality mixed track.
Or line out from H6 to camera, then piggyback the HDMI into the Blade to create a scratchtrack?
I know that I could just send audio directly into the Blade or Camera from a field preamp and be done with it, but I want higher quality tracks (24bit) for this project.
Any help/insights/advice would be greatly appreciated.