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Evening or blue hour - What do you prefer?

Short question: What do you prefer?—evening or blue hour? Don’t get me wrong! I read an article about screenplay mistake. And the author’s opinion was to write “evening” would be a mistake, which is making you look unprofessional. So, I wanna ask you what you write. Evening or blue hour?
 
Short question: What do you prefer?—evening or blue hour? Don’t get me wrong! I read an article about screenplay mistake. And the author’s opinion was to write “evening” would be a mistake, which is making you look unprofessional. So, I wanna ask you what you write. Evening or blue hour?
I have never heard of or read "blue hour" in a screenplay. Is that
a European or German thing?

The article you read is accurate - there is no need to use "evening" in
a screenplay. I use DAY or NIGHT. Keep it simple.

Since I write a script to make myself, I write what will help me schedule it.
Dawn, Day, Dusk, Night, and occasionally Morning or Evening
What is your advice for a screenwriter who is not writing to make
the movie themself?
 
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I have never heard of or read "blue hour" in a screenplay. Is that
a European or German thing?

The article you read is accurate - there is no need to use "evening" in
a screenplay. I use DAY or NIGHT. Keep it simple.

What about the cowboy riding off into the sunset. Is that DAY?
 
Usually Day and Night are preferred unless it is vital to the story as in a vampire beginning to smoke at the first light of dawn as a transition from Night. So just ask yourself if it is vital otherwise rely on Day and Night.
 
However Day could also be used and you simply descibe how the rays peeking over the horizon hit the vampire. There really is only day and night the rest can be described. It keeps the screenplay lean and tight.
 
I didn't answer the original question.

Evening or Blue Hour. Neither. I would use night and describe the sky.
 
Watt's wrong with using dusk and dawn?
Nothing. Use the words you feel are best for your screenplay.

All my advice is from the perspective of a “reader” and producer in the
States reading a script by an unproduced writer. Don't get in the way
of a smooth read. Keep your format as simple and unobtrusive as possible.
Allow your writing to stand out rather than embellish the format.

Both of you see the comments here when writers ask for feedback. Even
non-professionals get hung up on format choices and mention them or
ask format questions. Imagine what professional reader have to deal with.
Covering 3 to 5 scripts a day we see all kinds of issues that make the us
think about the format and lose the story. A script that follows the format
allows the reader to concentrate on the story and characters.

What's wrong with using DAY and NIGHT?
 
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