Rode Videomic, boomed for narrative short film

Okay please don't shoot me down. I have a Zoom h4n, Rode Videomic+ dead cat with Rode extension cord and a boom pole. I know this set up is far from professional, it's not an xlr mic for a start. But can I still get decent(by Youtube, indie film standards! Not hollywood standard) sound for my short film with this set up assuming I had someone with experience booming the mic and recording?

A friend of mine did a sound design specialism at university, I've seen the work he's recorded sound on and he's done a really good job, he seems to know what he's doing so I trust he knows how to boom a mic properly and all that.

In terms of the locations, most of it is exterior, park/graveyard, empty street locations with one scene in a public toilet and another in a corridor in terms of interiors.

It's just a zero budget film I'm making with an actor friend of mine but obviously I want it to turn out as good as possible with the equipment I own. Another possibility is to try and find a sound recordist with his own equipment, but it's a bit hard when it's a 0 budget film. No harm in trying though so I'll see if I can find anyone, but if not I'll have to go with this set up of mine.
 
...can I still get decent (by Youtube, indie film standards! Not Hollywood standard) sound for my short film...

It's possible, but very difficult. "YouTube" standard means different things to different people, just like everything else.

You use the resources that you have. Sub-standard gear means you have to take more time and more care to capture solid production sound, and it will probably require more clean-up and editing in audio post.

A friend of mine did a sound design specialism at university, I've seen the work he's recorded sound on and he's done a really good job, he seems to know what he's doing so I trust he knows how to boom a mic properly and all that.

"Sound Design" has become a very loose term; people who do "beats" call themselves "Sound Designers,", so s/he may not know anything about sound for picture and have a music-centric degree. Also, sound design happens in audio post, not during production, so although s/he may know how audio editing and mixing for film/video s/he may not have a clue about production sound. I don't know what the degree standards are/were. At the very least s/he will (or at least should) have a basic knowledge of signal flow, so it's a step up from the clueless PA - which is a plus.

As I preach frequently, it's all about knowledge, skill and experience.
 
Woops sorry when I say sound design specialism, I mean he studied Film production on the same course as me, but specialised in sound. He has done location sound recording as well on some projects.

But I'm still gonna try and see if I can find someone with their own sound gear who can help instead.

Thanks.!
 
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