Just a thread for directors to post past experiences with composers they have worked with (no names please), things that you loved, liked, or absolutely hated. The director and composer relationship is one that is absolutely unique in the film world. While producers and directors can but head the entire production and still produce a hit, if a director and composer don't see eye to eye, the film could turn out horrid. Now of course all situations are different and have different outcomes. I want to know how some of these relationships have panned out and what you would have done differently and what you feel the composer should've done differently. This is just a general discussion of course, any composers in this topic feel free to put in some of your experiences as well and both composers and directors alike can use this thread as a learning experience on how to treat this working relationship with care in your projects.
-DT
-DT