Okies... let's set the stage.
This is more of a "what do I need to consider" question, than an "already in trouble" question. I want to be prepared, for when the assembling takes place.
I'll have footage on the following:
HDV @ 1080/60i
Super-8 @ 24fps
Celluloid animation sequence
All of the above need to end up on an HDV project, to match the rest of the (unrelated) films. (1080/60i)
The animation sequence has not been started yet, but I would assume that it would make sense to have that drawn at the same framerate (24) as the Super-8, and have the lab do some fancy pull-down trickery to arrive at a 60i speed?
Or would it make more sense to animate at 30fps to avoid that bit of digital juggling? Or would that be helpful at all?
Or am I missing something else?
Working with HDV has been a lot more problematic than I anticipated.
This is more of a "what do I need to consider" question, than an "already in trouble" question. I want to be prepared, for when the assembling takes place.
I'll have footage on the following:
HDV @ 1080/60i
Super-8 @ 24fps
Celluloid animation sequence
All of the above need to end up on an HDV project, to match the rest of the (unrelated) films. (1080/60i)
The animation sequence has not been started yet, but I would assume that it would make sense to have that drawn at the same framerate (24) as the Super-8, and have the lab do some fancy pull-down trickery to arrive at a 60i speed?
Or would it make more sense to animate at 30fps to avoid that bit of digital juggling? Or would that be helpful at all?
Or am I missing something else?
Working with HDV has been a lot more problematic than I anticipated.