Sorry, poke, I don’t know that word, “egorganticly,” nor could I find it in the dictionary. Did you mean exogeneticly?
yatesy_2k4, I’m afraid that’s not how most production companies work. Unless you have the next ‘Good Will Hunting,’ and you can convince them that it is, think of a production company as a rental house that has everything you need that’s too expensive for you to buy yourself. They also have access to all the people to get it done right. If you do find one that is willing to invest money or services in kind, you should expect to give up significant control.
Now if you’re talking about a major studio, they’ll just write you a check and take it for themselves. It may or may not ever be produced, but you’ll loose all control.
A production company’s not a bad idea, just expect to come to the table with a bare minimum of 15 to 20% (preferably 50% or more) of the funds secured, or a name or two attached with a letter of interest. This shows that you’re serious and not just some starry-eyed kid from off the street. Having the production company attached should help you to raise the remaining funds needed to produce the piece.
You may want to try to find a producer that’s sympathetic to your situation. S/he may have contacts themselves, but can also help with all the legalities that have to be done first, if they haven’t been done already, like copyrighting, budgeting, investor packets, business plans, incorporation, etc.
I don’t know what your situation is, but that’s my two cents.
By the way, I’m a developmental producer for a production company, AMVF Productions (
www.audiomediavideofilm.com). PM me if you want to talk about it more.