I was told before on here in grading, not to color the shadows, or the lift, as it's called in the three way color correction wheel type system.
This causes the shadows to become tinted looking, and creates a faded look sort of. It just looks unnatural. I showed some comparisons to some movie making acquaintances, and they agreed. Maybe not so much as unnatural, but unusual, compared to most movie looks. I don't like it cause it takes the contrast away. I want my blacks to appear more black.
However, one thing about my camera, the Canon T2i, is that a lot of times the shadows can be red under certain lighting conditions, especially tungsten lights. Even when white balanced, if you are going for a shadowy look, there is some red in the shadows, and I would like a more cold look.
So instead of using the lift on the three way color corrector to add blue, in order to flush out the red in the shadows, and loose blackness in the blacks, is there another way I can pull the red down and perhaps add blue without the blacks being faded looking?
Thanks.
This causes the shadows to become tinted looking, and creates a faded look sort of. It just looks unnatural. I showed some comparisons to some movie making acquaintances, and they agreed. Maybe not so much as unnatural, but unusual, compared to most movie looks. I don't like it cause it takes the contrast away. I want my blacks to appear more black.
However, one thing about my camera, the Canon T2i, is that a lot of times the shadows can be red under certain lighting conditions, especially tungsten lights. Even when white balanced, if you are going for a shadowy look, there is some red in the shadows, and I would like a more cold look.
So instead of using the lift on the three way color corrector to add blue, in order to flush out the red in the shadows, and loose blackness in the blacks, is there another way I can pull the red down and perhaps add blue without the blacks being faded looking?
Thanks.
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