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Advice on Fight/Action scene

I haven't written too many fight scenes. I'm enclosing a 6-page excerpt, so if anyone could take a look and give me some critique, I'd be extremely grateful. Context: Bad guy Zachariah has murdered young girl Ida's (10 years old) father and kidnapped her. Escaping through a wilderness area, they come upon Samantha (Sam) Sanchez, ex-marine, sunbathing on a back-packing excursion. **Language Warning**

Code:
               EXT. BESIDE A SMALL LAKE - DAY

               Sam's grooving to the beats on her iPod. She suddenly notices
               someone's shadow in front of her.

               She grabs the towel, holds it to her chest and sits up
               straight. She yanks the earplugs.

               Zachariah with Ida stand ten feet away, watching her. He has
               a shit-eating grin on his face.

               She turns her back to them, grabs her shirt and yanks it on.
               She stands up.

                                   ZACHARIAH
                         It's ok, it's ok. Sorry, Ma'am. My
                         daughter and I just need a little
                         water. Didn't mean to interrupt.

                                   SAM
                             (motions)
                         Sure, go ahead.

                                   ZACHARIAH
                             (nods)
                         Thank you. (to Ida) Be right back,
                         baby girl.

               He passes Sam, sets his sack and rifle beside the water's
               edge, takes a canteen from his belt and holds it just under
               the surface.

               Sam studies Zachariah's back for a few seconds. She turns and
               looks at Ida, who's staring at her own feet. She's holding
               her backpack in her hands so the Mexican calaca picture is
               forward.

                                   SAM
                             (gestures to backpack)
                         You been to Mexico?

                                   IDA
                             (without looking up)
                         Si.

                                   SAM
                         I was born there. You speak
                         Spanish?

                                   IDA
                             (finally looking up)
                         I'm learning.

                                   SAM
                             (In Spanish with
                              subtitles)
                         What's your name?

               Ida looks to Zachariah, who's back is to them some twenty
               yards away. She starts to say something, stops. She looks
               back down at her feet.

               Concerned now, Sam follows Ida's gaze, then looks back at
               her: something is definitely wrong.

               She goes down on one knee in front of Ida, looks in her eyes.

                                   SAM (CONT'D)
                             (Spanish with subtitles)
                         Tell me now, Child.

               Ida looks over Sam's shoulder: finished with the canteen,
               Zachariah is washing his face in the water. He looks back at
               them and WAVES. Ida waves back half-heartedly.

               Sam looks behind her at Zachariah, then back at Ida.

                                   SAM (CONT'D)
                             (Spanish with subtitles)
                         It's now or never.

                                   IDA
                             (Spanish with subtitles)
                         (lip quivering) My name is Ida. He
                         killed my Papa. He's going to hurt
                         you.

               Sam tenses, FREEZES, then slowly relaxes.  She smiles, nods:
               it'll be ok.

               Zachariah is standing over Sam's shoulder.

                                   ZACHARIAH
                         We speak goddamn English here in
                         the USA. Ain't that right, baby
                         girl?

               Ida nods. Sam stands up and backs way.

               Zachariah sets his sack and rifle down, picks up Sam's towel
               and begins to dry his hair and face.

                                   ZACHARIAH (CONT'D)
                         What y'all talkin' about?

               Sam casually puts one hand behind her. On her belt, in the
               middle of her back, is a small four-inch knife in a sheath.
               She removes it.

                                   SAM
                             (casual with a smile)
                         I asked her name and if she'd ever
                         been to Mexico.

                                   ZACHARIAH
                         Yeah, I think her mother took her
                         down there once.

                                   SAM
                         She has such a beautiful name. How
                         do you spell it?

               Zachariah looks at her, grins, puts the towel down. He takes
               two swagger-steps toward Sam.

                                   ZACHARIAH
                         Lots of questions from a girl that
                         likes to show her boobies. 

                                   SAM
                         You like them, huh?

                                   ZACHARIAH
                         I seen worse.

                                   SAM
                         I bet you have, [i]gran chico[/i].

               Zachariah suddenly reaches out and GRABS Sam by the back of
               her hair and YANKS her forward.

                                   ZACHARIAH
                             (close to her face)
                         Quit playing games, bitch.

               LIGHTNING QUICK, Sam SLAPS him hard in the face. Momentarily
               stunned, he lets go. Before he can react, her knife is
               pressing DEEP in his throat: a trickle of blood. He FREEZES,
               raises both hands.

                                   SAM
                             (loudly)
                         Run, Ida! Run as far as you can.

               Eyes WIDE, Ida hesitates.

                                   SAM (CONT'D)
                        [i] ¡Ahora![/i] Now!

               Ida turns and runs up the path.

                                   ZACHARIAH
                         You want to be careful with that.
                         You could hurt someone.

                                   SAM
                             (pushes harder with knife)
                         Don't fucking move.

                                   ZACHARIAH
                         So what now, sweetie?

               She reaches down slowly and unsnaps the 45's holster on his
               leg.

               Zachariah turns his head carefully to the side.

                                   ZACHARIAH (CONT'D)
                         Hey, baby girl. Welcome back.

               Sam looks: nobody there. But that gives Zachariah the split
               second he needs to grab the wrist of her knife-hand.

               They struggle for control of the knife. He tries to KNEE her,
               but she side-steps it.

               Zachariah YANKS on her arm then SWINGS AROUND behind her.

               He releases one hand from the knife, wraps his free arm
               around her and re-grabs it with both hands. He picks her up
               off the ground in a bear-hug, her back to him, swings her
               around, but she won't release the knife.

               He balls his right hand into a fist and begins to SMACK her
               under her arm and in her rib cage. Air's being forced out of
               her lungs with each brutal blow. He's hurting her, but she
               won't release her grip.

               He re-grabs the knife with both hands and starts PUSHING the
               tip toward her throat. She fights it, but he's stronger.
               Closer, closer...

               She leans to the side and SINKS HER TEETH into his forearm.
               He HOWLS, but keeps pushing. She TEARS the flesh with her
               teeth. 

               At last, he can't stand it, releases his grip. She turns and
               STABS the knife deep in his side, just above the hip.

               He SWINGS at her face, lands it solidly, KNOCKS her several
               feet back. She staggers. He YANKS the knife from his side,
               grimaces, then smiles.

                                   ZACHARIAH (CONT'D)
                         Finder's keepers.

               Blood flows like a small river from Sam's mouth. 

               BUT SHE HAS HIS 45 IN HER HAND!

               She points it at him in a professional stance and snaps the
               safety off.

                                   ZACHARIAH (CONT'D)
                         Well damn. You know how to use
                         that. Mad respect, Ma'am.

                                   SAM
                         Put the fucking knife down.

               He THROWS it into the bushes. He looks up the trail where Ida
               ran.

                                   SAM (CONT'D)
                         Yeah, she's getting away, [i]cabrón.[/i]

                                   ZACHARIAH
                         We'll see. Would you be terribly
                         disa-fucking-pointed if I told you
                         it's not loaded?

               She looks at the gun. She checks the chamber. She pops the
               magazine: empty. 

               Big grin on Zachariah. She looks at the rifle only 5 feet
               from him. He follows her gaze.

                                   ZACHARIAH (CONT'D)
                         Now, that motherfucker? That's
                         fully loaded. Think you can get to
                         it before me, Señorita? 

               She considers, turns and DASHES toward the lake. She tosses
               the weapon and magazine into the lake as she splashes
               forward.

               Zachariah grabs the rifle, switches off the safety and rushes
               forward.

               Sam DIVES into the water, goes down deep.

               He pulls the rifle to his shoulder, takes aim and FIRES, the
               water spews. He FIRES again. He lowers the rifle and watches.

               Nothing. He looks back at the trail where Ida ran, then back
               to the water. Waits. Nothing.

                                   ZACHARIAH (CONT'D)
                         Fuckitty, fuck, fuck, fuck.

               He takes aim again, holds it, then drops the barrel, looks
               back up the trail, turns and rushes to grab his sack. He
               slings it over his shoulder and bounds up the trail after
               Ida.

               The lake is silent and calm. A dragonfly skims its mirrored
               surface.
 
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I don't know if you have read any of my previous comments
on scripts; I really dislike uppercase. You overuse it, in my
opinion. Makes reading this a chore - it doesn't flow when
you force my eye to stop over and over. And I stop reading
to wonder about your choices. For example; right at the
beginning Zach WAVES but Ida waves. I pause my read
wondering why you emphasize one person's wave but not
the other.

Other than that, this is fine. Good action, well written other
than to overuse of uppercase.
 
Hey, Directorik

Thanks for the comments. You are 100% correct; I couldn't agree more. To be perfectly honest, all-cap words have become invisible to me -- I don't even see them anymore. They've so proliferated since comic books started being adapted on a regular basis into feature scripts, even among some of the top writers (to a more or less degree): BAP! KA-BOOM! ETC!

I don't have a problem with its rare use, but my excerpt above takes it to an extreme. Thanks for the heads up; I'll clean it up and start watching for it to CROP UP again when I write.

Thanks!
 
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I didn't make it very far before i got frustrated

Code:
 Sam's grooving to the beats on her iPod. She suddenly notices
               someone's shadow in front of her.

               She grabs the towel, holds it to her chest and sits up
               straight. She yanks the earplugs

She grabs the towel.. what towel? this is the first i've heard of a towel. Where did she grab it from, a towel rack?
She sits up straight.. was she laying down before?

There's no context here for me. Maybe it's because this is just an excerpt and I don't know what came before it but I can't picture this scene in my head.
 
I didn't make it very far before i got frustrated

Code:
 Sam's grooving to the beats on her iPod. She suddenly notices
               someone's shadow in front of her.

               She grabs the towel, holds it to her chest and sits up
               straight. She yanks the earplugs

She grabs the towel.. what towel? this is the first i've heard of a towel. Where did she grab it from, a towel rack?
She sits up straight.. was she laying down before?

There's no context here for me. Maybe it's because this is just an excerpt and I don't know what came before it but I can't picture this scene in my head.

Sorry, Sfoster. Yeah, you're missing a previous scene because the above is an excerpt. Here's the previous scene:

Code:
EXT. BESIDE A SMALL LAKE - DAY

               SAMANTHA (Sam) SANCHEZ (40), short black hair, sleeveless-T,
               cargo shorts, heavy backpack, follows a trail that leads down
               to a small, tree-lined lake. 

               She's tanned, a crucifix around her neck, well-muscled, and
               sports a U.S. Marine Corps tat on her upper arm.

               She sets her pack down, stretches, wades into the water,
               splashes her head and face.

               She sets a towel down some distance up from the water,
               removes her shirt, lies down on her stomach. She pulls an
               iPod from her backpack, puts her earplugs in and cranks up
               her reggaeton.
 
Wow, haven't been here in quite awhile.
Glad I came back and found this ;)

I can't really help you with the technical aspects of the writing, since I myself am a newbie when it comes to screenwriting but I can point out some things, story wise.

*Not knowing that Sam was 40yo, I pictured her in her early/mid 30's. I'm not sure if he age is important or relevant to the full story, but if not, I would maybe make her a bit younger.

Why?
Man I'm going to sound like such an ageist and sexist but... In my opinion, the late 20's to late 30's is the peak form of a human's body/strength. Yes, I'm quite sure that's not completely true and that's why it's my opinion.

For her to be 40yo and still be able to perform at top notch form, she would have to be in incredible physical shape, which she probably doesn't have to be if she was younger. Just an observation. The moment I read she was 40yo, I questioned the previous scenes and wondered if she could truly pull off the fight.

*Zachariah seems like an extremely observant person. He should had noticed her tattoo as he also noticed her chest.

*When Zac has Sam in a bearhug I kept thinking, "Why doesn't she turn the knife against thigh or something similar?" It just seemed as if she had the upper hand with the weapon but didn't really capitalized on it. Giving her tactical training, I would had thought she would had seen the opportunity to strike him while he didn't have a hold of the knife or arm.

*Not knowing anything besides what you have posted, I question why Sam was out hiking(?) and then decides to catch some sun, specially topless. Seems rather unusual.


Besides those things, I absolutely like your style. I was able to keep up with the action and was interested in learning the who/why/what's of the story.

Kinda cool she was listening to reggaeton, although also a bit unusual for a 40yo lady (see how the age of 40 turns her into almost "Mom" territory?)

Great work!
 
The way you wrote the fight isn't bad at all. In my line of work, we see a LOT worse.

(In those "worse" cases, my recommendation is just to tell the writer "Write 'THEY FIGHT'" and let the director figure it out, because the writer is so obviously bad at writing fight beats, and there's no time to teach her.)

With your script, there's none of that. It's clear. There's a point to the fight, it flows, and each moment feels like it escalates the emotional participation of the audience.

The caps aren't a problem. At all.
 
The only advice that I can give is this. Picture the actual location in your head. Better yet, go to a location where the scene could actually happen. Pay attention to all the details, lighting, space, obstacles, sounds, etc. Next draw up an overhead diagram of where the characters will start and finish the sequence. In the diagram also show where the cameras and lights will be. Once again, do it for real, have a couple of friends mock fight. Write down the details. Actual fights are sloppy at best. This has to be expressed in your script. 99% of people don't know how to fight, so why should your characters. The flaws make for great fight scenes. Finally, put it in your script. This is only my advice. Cheers, Jim
 
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