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10-28-2009, 06:09 PM
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#1
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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Searching for a gun Mic.
I'm totally newbie at making films, because I just started...
And I started off spending almost all my money on software such as AAE, A. Premire, Sony Vegas and just bought the must expensive program in the world Autodesk 3d max (2010).
Now I have an HD-cam.
But I need a cheap but good gun mic.
I'm interested on buying a mic. that are able to be connected to a laptop with USB (Or something else that is compatible with a laptop) and RECORD THE SOUND via the computer.
Now I have no idea how to use a gun mic. because I actually just found out that it was named a gun-mic, or boomer(thing..).
Does anyone know a "semi-pro" gun mic. that are compatible with a computer for under 350$ ?
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10-28-2009, 06:25 PM
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#2
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Premiere Member
Join Date: Mar 2007
Location: Fairfield County, CT
Posts: 387
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There is no such thing as a "Gun" mic. It's called "Shotgun" mic. Shotgun and other mics are attached to a long extendable rod call a "Boom Pole" or "Fish Pole".
There are currently no quality production sound mics that connect to a laptop via USB. Recording directly to a laptop requires that you get an audio interface. Most audio interfaces will require AC power.
The Rode NTG-2 is a popular budget shotgun mic for indoor usage, the Oktava MK-012 is a popular hyper-cardioid mic for indoor purposes.
I would suggest that you search the forums. There have been many discussions about the topic of capturing production sound.
__________________
Filmmaking is the art of the invisible;
If anyone notices your work, you haven't done your job right.
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10-28-2009, 06:41 PM
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#3
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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Thanks.
The Røde NTG-2 looks cute to me...
But what should I connect it to?
And BTW, is a deadcat worth to buy compared to the original windscreen you get with it?
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10-28-2009, 10:37 PM
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#4
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IndieTalk Sound Guru
Join Date: Dec 2008
Location: New York
Posts: 137
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Cheap but Good, what the hell is that, haha
sorry, always makes for a good laugh to see that one. you spent all this money on software and computers and a HD camera. but look for a cheap microphone?
ok, earth to everyone out there, sound gear cost more than and HD camera. but i do understand that you want to start somewhere and need to get a mic.
what was suggested above will work, but do not expect to get good quality sound to match your image by purchasing just one cheap mic. it will get you something you can hear.
always my suggestion is to look for a soundperson to help you out, or rent something that IS good, not cheap.
sorry to be blunt, but i see this all too commonly here.
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10-29-2009, 12:31 AM
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#5
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Premiere Member
Join Date: Mar 2007
Location: Fairfield County, CT
Posts: 387
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Quote:
Originally Posted by Dark Noex
The Røde NTG-2 looks cute to me...
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Cute? It's not a kitten for Bogs sake!
Quote:
Originally Posted by Dark Noex
But what should I connect it to?
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It's wired to the camera or to a field recorder. How you connect it to your camera depends upon what type of camera you are using.
Quote:
Originally Posted by Dark Noex
And BTW, is a deadcat worth to buy compared to the original windscreen you get with it?
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If you are doing a lot of outdoor shooting you should invest in "dead cat" or better yet a blimp with a fuzzy.
Quote:
Originally Posted by Dave Pastecchi
You spent all this money on software and computers and a HD camera, but look for a cheap microphone?
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Beginning filmmakers always make that mistake; they ignore the sound of their projects until they get into audio post - if they even bother with audio post at all - by which time it is much too late unless they have an extensive budget, which 99% of the time they do not.
Some disagree, but the general consensus is that if you have great sound your audience will forgive a visual deficiencies. Great sound begins in preproduction. A script is the spoken word, after all; shouldn't you make sure that once you get into production you spend the time, effort and money to capture it properly? Every dollar you spend on production sound will save you ten in audio post.
And don't mount the mic on the camera or hand the boom to whichever PA isn't busy. A boom-op has one of the most demanding technical jobs on the set. S/he has to hold an eight to twenty foot pole over their head for hours at a time, making minute adjustments to keep the mic mounted at the end of the pole pointed at the mouths of the talent while keeping the boom out of the shot without casting shadows.
Did you know that Quentin Tarantino will only use production sound dialog? That he will re-block and/or re-light a shot if the sound crew tells him that they cannot capture quality sound without interfering with the lighting or casting shadows? That he will re-shoot entire scenes if the production audio quality is not up to his standards? Would that every director had this reverence for sound!
__________________
Filmmaking is the art of the invisible;
If anyone notices your work, you haven't done your job right.
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10-29-2009, 02:37 AM
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#6
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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...
Quote:
Originally Posted by Alcove Audio
Cute? It's not a kitten for Bogs sake!
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lolz
Lets just start with a cheap one, and buy the expensive one on Christmas... sounds like a good idea huh?
But what should I attach it to, if my cam. doesn't have the right plug?
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10-29-2009, 03:06 AM
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#7
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Premiere Member
Join Date: Mar 2007
Location: Fairfield County, CT
Posts: 387
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What camera do you have?
__________________
Filmmaking is the art of the invisible;
If anyone notices your work, you haven't done your job right.
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10-29-2009, 11:11 AM
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#8
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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this came a little late:
I have a cam with only an HDMI plug, A/V R plugs and "dc" plug
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10-29-2009, 11:37 AM
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#9
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IndieTalk Moderator
Join Date: Nov 2008
Location: Metro Detroit
Posts: 327
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You'll need a separate digital recording device to plug your microphones in to, and then you'll need to sync the audio with the video when you edit. I've had good luck with this: Zoom H4n.
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10-29-2009, 05:04 PM
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#10
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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Isn't there a recording device, that records the clips on a HDD, and can be transferred to a PC?
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10-29-2009, 06:24 PM
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#11
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Premiere Member
Join Date: Mar 2007
Location: Fairfield County, CT
Posts: 387
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Quote:
Originally Posted by Dark Noex
I have a cam with only an HDMI plug, A/V R plugs and "dc" plug
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That doesn't tell me which camera you have.
__________________
Filmmaking is the art of the invisible;
If anyone notices your work, you haven't done your job right.
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11-05-2009, 09:47 AM
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#13
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IndieTalk Moderator
Join Date: Nov 2008
Location: Metro Detroit
Posts: 327
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I believe that particular Sony only features a 3.5mm mini-plug mic input. So you would want to add a Beachtek or similar audio adapter for professionally balanced audio.
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11-05-2009, 08:47 PM
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#14
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Premiere Plus Member
Join Date: Mar 2004
Location: Hollywood, CA
Posts: 4,242
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Quote:
I'm totally newbie at making films, because I just started...
And I started off spending almost all my money on software such as AAE, A. Premire, Sony Vegas and just bought the must expensive program in the world Autodesk 3d max (2010).
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I just finished reading your other thread about Boujou, and I just have to ask...
Why?
There's nothin' wrong with bein' a noob (we all start there), but seriously - ya' gotta learn to walk before you can run.
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11-07-2009, 05:54 AM
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#15
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Basic Member
Join Date: Oct 2009
Location: US
Posts: 11
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Yeah. I WON'T spend 10.000 on a program...
That's why I'm asking about a freeware/something more affordable..
And PFhoe is only € 79.00, but now I'll start with save some money up, and buy a camcorder and audio stuff (...)
Now I got a camcorder.. which is bad, and I will replace that with Sony HVR-HD1000E. Is that a good or a bad choice?
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