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Title First or Title Last?

I've always found it curious to look at other people's creative processes and to see what they do.

That being said, I wondered this, do you, my screenwriting compatriot, write a story/outline/rough draft from the title or build up to it out of an idea?

Personally, I've found that working from a title gives you a sense of direction, you know where you wanna go and how you want to go. I've re-titled ideas after I get deep into an outline, but it's never been writing out the idea and decided on a title later.

So, what works for you?
 
It really does depend on the project. Personally, I'll be driving down the road, and randomly, I'll think of a great title, and it ends up being a song on a record, for me. I had one record titled 'Broken Heart Gadgeteers' and another called 'Static on the Water' - both of which the title came first and the song built around the vibe of the title.

I avoided it more on my new record that comes out this week, since I self titled it. However, I still had some songs that spurred out of great titles. My creative process tends to navigate towards finding a nifty/unique title for the emotion/direction I'm trying to convey, and then I run with it.
 
I normally get a solid idea first before touching the dialogue/script. Then as I'm working on the script, the title develops with the story so to answer your question... I guess both, just all depends on how my brain is ticking!
 
I definitely wouldn't say you need it in the beginning, but at some point you should "know" your story.
Concept, logline, everything.

The title should reflect that.

I think it's helpful to have a title that matches your logline, know the story you want to tell, and then write or re-write the script.
 
There's really no set in stone rules over when you should come up with a title & log line. You can come up with one first, then right a screenplay around it. You can write a screenplay & come up with a title after you write it. You can be in the middle of writing and come up with one. The best thing that you can do though is have a title that suits your film, and that sounds interesting enough to take a look at. You'd be surprised as to how much title (and log line) matters.
 
I see it like this: I have all the writing process long (rough idea, outline, writing, corrections) to choose a title, and that also means my brain is constantly at work subconciously! It will usually come up with something great! If not, I have to help it out a little bit.

Titles are important, so be picky! A good title is one with some mystery, but not try-hard mystery, if you know what I mean. And of course, it should just sound good. Sound cool. Yeah!

Don't underestimate the power of your little grey cells!
 
For me it totally depends on the project. Sometimes a title will come to me, but more often than not, titles are a really difficult thing for me.

My current screenplay started out with the working title "supernatural road trip movie" because that was the best I could come up with and I needed to refer to it by something. The working title has since been changed to Not Like This, which is a line from this song:

https://www.youtube.com/watch?v=lRWeJabSozw

The main character's name is Nikki, and this track is on my playlist for the script (I create playlists with the right vibe for whatever I'm writing; this particular screenplay includes tracks from Sasquatch, Roadsaw, Dixie Witch, Mellow Bravo, Waylon Speed, Supermachine, Chrome Division, Freedom Hawk, Fireball Ministry, Bloodhorse, Throttlerod, White Dynomite, Cask Mouse, The Byrds, and a few others).
 
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