Ok I read through it and here are my thoughts (take them with a grain of salt):
In reading it felt like it was a BladeRunner homage. Was that the intent?
First establishing scene:
The year 3018. The vehicles hover across the street. Some of them fly over the city, traveling to the next state. Skyscrapers glow with their flashy lights and design
Insert a SUPER with the year if the specific year is important vs. it just being sometime in the future with flying cars. "The vehicles" what vehicles? Car like vehicles?
"traveling to the next state." This can't really be shown and it doesn't really expand the world beyond the city visually.
The next scene says it's "LATER" vs "CONTINUOUS" but is it still night or now morning since it's later?
I would recommend inserting a line in the first scene that introduces the police cruiser and leads us to the CAR PARK in scene two.
I would rename the scene heading for scene two STRIP CLUB CAR PARK.
"Levitates" infers rising. "Descends down" or "dives down" or "settles down" would be better.
Describe what Jay Carter is wearing at least briefly or in some other way describe him to us visually. 30's is all there is. Weathered 30's? Grizzled? Wearing a uniform? Bladerunner longcoat?
There are some issues with English formatting:
"The man named Victor, 30s, he sits" should be trimmed to "The man, Victor (30's), sits. However I would recommend putting this info in the paragraph above where you introduce Victor.
"In Alcohol Volume?" seems a bit weird. What other meaning could a robot at a bar be meaning for "strongest"? The subsequent answer 'Yes, robot' seems unnecessary (due to the previous dialogue being unnecessary). Perhaps instead of asking the "Volume" question the robot bartender could ask "Vodka?" and instead of having Victor answer "Yes, robot" he could non-verbal nod his head or if you really want a verbal reply "fine, whatever." if he doesn't care or something else if that answer didn't agree with him, "No. Whiskey." or whatever.
Jay sliding into easy conversation with Victor seemed a bit unnatural. They are two strangers.
There also seemed to be a bit too much robotic dialogue. More than passing set pieces/extras. I would recommend trimming down if you can or think it would help move things along.
I would also not have the robot serve Jay and Victor separately, one after the other. Have the robot take both of their orders at the same time. It might be a good way (as has been done multiple times in multiple films) to introduce the two and break the ice. Both addressing the robot.
If you can condense the dialogue between the two (and the robot bartender). It feels too long but doesn't build to anything. Long chit-chat. It should have a purpose either to draw Jay/Victor together or reveal more character about each or paint their world views a bit cleaner.
That way when the bottle smash comes up it's either expected (animosity building) or unexpected (they are almost friends).
I would replace "remains" with "body" or "corpse". Remains are usually what's left of a body after a certain amount of time being dead. Usually a time enough for a certain amount of decomposition to have happened. No one walks into a murder crime scene and says "Show me the remains" they say "Show me the body" or "Let's see the body/corpse or victim, etc."
How did Jay cut his head?
Not sure what the dialogue with the EMT does to the story. If it's pertinent keep it but otherwise I would excise the entire dialogue and move to the introduction of Lieutenant Collins. Also is Lieutenant Collins a man/woman?
Also much of that dialogue could be condensed.
After reading it all my opinion is it could be cut to half the pages, be tighter. Cut out the superfluous dialogue if possible and maybe just a couple more sentences of action in each scene and character intro to give us a better more interesting world.
Hope this helps as it could be a fun little quick sci-fi action sequence.