• Wondering which camera, gear, computer, or software to buy? Ask in our Gear Guide.

[FEEDBACK] Why This Won't Work - A dialogue based Romance (70 Pages)

Hey there! This morning at 5 AM I completed my first movie script. It's a minimalist dialogue-based romance inspired by films like Before Sunrise and Carnage. It may be messy, it may be rough, but I'm damn proud of what it is and am ready to have it ripped to shreds if need be. I want to make it as good as possible.

I'm looing for general critique on anything you find relevant, but I'd also like feedback regarding the lengh. I know that 70 pages is about 20 pages short of the standard for feature scripts, but the length felt natural to me and I didn't want to write more padding just for the sake of making it longer. Any input on that and general critique would be super appreciated!

I made some last minute edits, so the formatting is a bit screwy, but it should be very readable.

https://docs.google.com/document/d/1oJnRGcBx6MeFS0ChfypKiRJW1Kn5VXzCB9iOnL_rjrg/edit?usp=sharing
 
The formatting is really distracting. You can remove all the capitalized names after their first mention. The transitions are also not really needed. The use of I/E. is incorrect. Also, try to limit time descriptions to what is relevant--DAY or NIGHT. The action/description statements are lacking.

The dialogue is VERY wordy and on-the-nose. It drags. Bored by the end of page 4. Nothing of significance has been said. The characters are need more development. They sound the same. If filmed this would drag horribly on the screen. It really needs to be pruned. Sorry, snoring by page 9 and I still have no clue what the movie is about. It takes nine pages to talk about guitars, Jimi Hendrix and mac-n-cheese?

If you're planning to film this yourself, I would still cut a lot of this. Tighten it up. Even as a short (20-40 pages), it would be better. I jumped to page 65 which should be the final resolution and read forward. Boring. I'm sorry, there was no excitement in the beginning, none at the end, I'm not going to waste time on the middle.

Based on your action statements this is the first eleven pages:
Code:
EXT. NEIGHBORHOOD - SUNSET
Nice middle class neighborhood, the teen residents are out and 
about, having fun, drinking and talking in parks.

I/E AVERAGE HOUSE - SUNSET
ETHAN is high school student in the summer before senior 
year. He looks dignified but unintimidating, dressed on the 
line between preppy and nerdy. He takes the things he loves 
a little too seriously.
MRS. D is of average height and wears momish sweaters. She 
is kind and welcoming.
ETHAN walks up to the house and knocks on the front door. 
MRS. D. comes to answer it from the kitchen.

INT. - DOWNSTAIRS - SUNSET
ETHAN walks upstairs.
JOEY, son of MRS D., 12, cute.
JOEY passes from his room towards the bathroom.
ETHAN and JOEY fist bump.
ETHAN Walks over to JULIE’s room. He knocks on the door.
JULIE Is also in her summer before senior year. she’s artsy 
and enthusiastic.

INT. - JULIE’S ROOM - SUNSET
ETHAN enters and notices JULIE is holding a guitar.
ETHAN sits down on a chair in the far side of the room.
JULIE’s fingers are digging into the guitar strings.
ETHAN gets a little more comfortable in his chair. JULIE leaves 
the room. ETHAN looks through books on one of the shelves, 
and finds a men’s modeling magazine at the end. he’s amused. 
puts it back quickly when he hears JULIE returning. JULIE walks 
in with two bowls of wacky mac.
They dig in.
ETHAN is shaking his head.
I'd typically expect that much from two possibly three pages. As for dialogue issues:
Code:
                             ETHAN
         Example please? I’m not- I’m not arguing with what you’re
         saying or anything, I just don’t entirely understand what
         you’re getting at.

                             JULIE
         Hmm.. Take, what was it, like last week for example, with     
         the extracurriculars, you know, the sign-ups.

                             ETHAN
         Yeah? What you mean that I refused to sign up to anything?

                             JULIE
                          Well, yeah.

                             ETHAN
         That’s- I mean- I didn’t feel like I could really delve into   
         an of those things.

                             JULIE
         So like, chillax, you know? Try something.

                             ETHAN
                          I try things.

                             JULIE
                        Yeah, like what?

                             ETHAN
                    This wacky mac, for one.

                             JULIE
              What, you’ve had wacky mac before.

                             ETHAN
                             Nope.

                             JULIE
                      I refuse to believe-

ETHAN is shaking his head.
                                                                  10.
                             JULIE
                  You’ve never had wacky mac??

                             ETHAN
                 What is that so hard to believe?
So much of this is redundant and verbalizes what the character feels. Show it, don't state it.
Code:
                             ETHAN
              Example please? 

                             JULIE
              What did you sign up for last week?

Ethan glances up at her then away.

                             ETHAN
              That’s--I mean--nothing interested me.

                             JULIE
              So like, chillax, you know? Try something.

                             ETHAN
              I do.  This, uh, wacky mac, for one.

Julie stares at him in disbelief.

                             JULIE
              You’ve never had wacky mac?

Ethan shakes his head and stuffs his face so as not to answer.

She stares in disbelief. His eyebrows rise and he smiles, face stuffed.
14 lines of dialogue down to 6. 47 lines down to 25. It says the same thing though it is said more obliquely, less on-the-nose. In terms of action, what we see in your version: "ETHAN is shaking his head." In the revised version:
"Ethan glances up at her then away. Julie stares at him in disbelief. Ethan shakes his head and stuffs his face so as not to answer. She stares in disbelief. His eyebrows rise and he smiles, face stuffed." As an actor or director I have a good sense of the characters and their interactions.

Again, very little action happens in the beginning. Put in a bit more interest in the beginning. Why should we be interested in Julie and Ethan? Personally, I'd really overhaul the dialogue. Remember that actual dialogue drags on the screen. At this point, I'm guessing this work better as a 30 page short. There's nothing wrong with writing shorts. They are more likely to get noticed at festivals. Good luck.
 
Back
Top