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rayw, all ordinary DSLR has this standard compression of 4:2:0 ? what kind o cameras capture in 4:2:2 and 4:4:4 ? and what kind of compression is ok for a big screening ? so is all about how good the camera´s computer is for storage, is that right? if yes, lens are not thaat important as i...

jax, i´m planning to make a exhibition of the project during a festival, so it has to be acceptable for projection on larger screens

hey jax :) thanks everyone for the answers, it was clarified.

hi, one doubt please.. the APC-S sensor is the same thing as a full frame sensor if i use a 22mm(or near) lens to achieve a 35mm full frame focal lenght ? it would be any difference on the big screen (i really mean the big screen) ? or the only difference is about image quality ? im asking...

i want to thanks and praise everyone that helped, i came here with a lot of doubts and one purpose, i achieved this purpose and all by doubts has been clarified, so i just want to thanks everyone.

hey jax, appreciate your direct and down to earth answer.. very explicative.. thanks man.

I thought it also, i think there´s no much you can do in the real shooting despite using the right lens and finding the right time to shoot .. thanks man.

the last thing i need is someone like you wishing me luck..dismiss it ;)

because i know the camera this director is currently using in the past 3 years.. and don´t try to bullshit me trying to look like an expert.. we´re talking about an external scene with natural lighting and not a transformers movie scene.

hey, please take a look on these pics, this short film was shoot probaly with an arri alexa camera, let's say i have a canon 5d mark III and i want to achieve the exactly film look.. this is made in the post production using filters or the DP uses a specific kind of setup during the shoot? thanks.