First off, good job!
I felt like I was left with too little resolution of the story.
I agree with this. However for your first writing gig, it was a strong idea. The atmosphere was quickly established and stayed strong. I loved the opening music and how the killer's foot appears in the foreground of the shot.
The locations were very well suited for this, especially that back door and basement. I don't know if that basement was physically at that spot, but when the detective pulled the debris away, peered in and looked down - I had a SILENCE OF THE LAMBS' moment. Nice and creepy.
Going back to the runtime, to prevent people being put off, I'd be shopping it as a 15 minute horror, as the last 4 minutes are the credit roll.
I read that and said, "Why?" Thankfully, the credits are about 2 minutes, 50 seconds. I read all the names, because I'm interested in how many people did what - and there were a lot of people, so this didn't bother me. They could have been a bit shorter, but I recently saw a 4 minute movie with 3 minutes of credits! They should be relative to the length of the movie.
Audio is during large sectons weak and over powered by background chatter this was due to a) inexprirenace andb) lack of equipment.
I'll take you to task here, because "equipment" is not an excuse, as long as you have something that records - either on set....or even months (years) later in post-production, when you do have more experience. The acting was quite good and it's too bad it was marred by the audio. A couple of things:
1) Whether it is a boom mic or crappy recorder, you need to get it close to your actors' mouths - within 1 - 3 feet. In other words, get all audio in closeup and you can use it for long shots. I've DP'd for people who didn't have mics, so I was sure to get the on camera mic close to the talent, since distance and room/ambient noise is the killer.
2) Audio can always be fixed, including this short, years later. Lionsgate released
a movie of mine that was shot with a silent film camera. The whole thing is dubbed or wild sound. It's quite an easy thing to do as long as you have audio tracks to reference, and you did here. What I do is have my actors watch how the line was delivered and they duck into my walk in closet and say the new lines into the mic. They poke their heads out, watch the next couple of lines and do it, again.
Also, if I'm not sure that I can get them back (on my last feature, my actors came in from 1,000 miles away), I put them in a quiet place with the script and a mic, and have them read all their lines. They really need to be monitored and directed though. For instance, your detective is walking most of the time and I would instruct him to breath a little hard and talk, like he was moving. Actors almost always forget to act out exertion.
Though I hate the youtube audio quality, this video shows how we handled dubbing for EXILE, including the closet dubbing technique!
https://www.youtube.com/watch?v=Ya2SQJyUxP4
Listen to a couple seconds of
THIS MP3 to see what our audio quality was like.
Anyway, I'm sure you want to just get onto the next thing, but since you mentioned that you would like to give this movie more exposure, you could feasibly tighten the edit and dub it. Great job, though.