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  1. A lav AND shotgun?
  2. Tascam DR-1, or 7 or 8 idea
  3. atr 35s lav - buzzing and noisy
  4. Jack Black teaches audio recording.
  5. How to Shoot for cutting on Word?
  6. Field Recording/ mixer+recorder question
  7. Interesting Find
  8. Green screen/white screen/red...
  9. pedestrian crowd and filming
  10. Help with controlling a balloon
  11. This is probably a stupid question.
  12. Off Duty Officer on Set
  13. No more cheap mics
  14. Microphone set ups
  15. Help on Visual Effects
  16. Camcorder Equipment
  17. Shotgun Microphones
  18. Microphone Equipment
  19. Practical Gunshot hits - w/o Blood or Squibs
  20. More F-bombs than you can shake a stick at!
  21. Audio Help
  22. Is this difficult
  23. Where to buy a good camera(s)
  24. Where to buy movie prop(s)?
  25. BTS: Matt's near-death tricycle ride...
  26. I Fuc#$%& HATE Fluorescent Lights !!!
  27. What does your shooting script look like?
  28. Throwing a TV
  29. Love doing ADR ?? Want crappy sound ?
  30. Cheap tripod
  31. Cotton Green screen or Seamless Paper?
  32. Make It A Double - DSLRs and Sync Sound
  33. DIT - Digital Image Technician
  34. Audio Technica AT3035 - Yard Sale Waste of Time?
  35. Recording sound 16mm
  36. Production Designers & Art Directors
  37. The Art Department
  38. Grips
  39. Rode VideoMic
  40. Recording in echoey location
  41. He's making a list, he's checking it twice!
  42. Where can I score some Crack or Meth ? I wanna smoke !
  43. Splatter Blood
  44. Movie Props
  45. Adobe On Location
  46. Mic Placement Question?
  47. Anyone use a JibOne camera crane?
  48. Coverall Greenscreen Suits
  49. AGING TECHNIQUES
  50. Need some advice on which mic to use.
  51. What is a good animation set?
  52. $75 Wireless Lav Solution
  53. The Best Way To Attach A Wig On A Stunt Dummy
  54. NEED FOR SUNDAY SHOOT!!!!
  55. How to make a cheap Rycote windscreen kit for under $150
  56. Sennheiser MKH 50 VS Oktava MK 012 Michael Joly mod.
  57. Sennheiser MKH 50 vs Oktava Joly Mod using Fostex FR2 High quality
  58. Lav mics & Pacemakers
  59. Duties of a Boom Op
  60. Weapons and Indie Film-makers: Indie Arms philosophy
  61. Buzzing with mic extension cables
  62. On The Set Audio
  63. Exploding light bulb
  64. What Am I Missing?
  65. oktava mk-102 xlr cable?
  66. Rode videomic question
  67. Wireless Lapel Mics?
  68. Washable paint on a car
  69. Question about sound mixing.
  70. Recording Marantz PMD-661 to Canon 60D
  71. Television broadcasts within films - How can I sync a recording to a TV?
  72. Ratings
  73. Recording in noisy surroundings
  74. Interview Question
  75. mini projector
  76. Polarizers for glare removal
  77. BLANKS GUN SHOT SPECIALIST
  78. zoom h4n prob
  79. oktava mk-102 issue
  80. How to hang someone on film?
  81. Gas masks are cool
  82. Studio Sound Question
  83. Scene Shot Breakdown - Self Education
  84. Where to buy fake foam bricks and alot of them? (Canada)
  85. Make up for men ?
  86. multiple roles in a movie
  87. Recording Dialogue
  88. Courtroom Scene
  89. Setting Up Laser Fire For Post
  90. Question about getting a type of microphone.
  91. Humidity issues
  92. How does a Zoom H2 work?
  93. Filming Cooking
  94. Interesting sounds when I turn the mic off
  95. Which Fogger to rent
  96. cost effective zombie make up
  97. China Balls Are Everywhere!
  98. Removing reflection
  99. Worst Production Stories
  100. Question about zooming in while shooting.
  101. Question about getting a cardioid.
  102. Cheapest way to record decent narration
  103. Have you guys ever gotten your camera stolen?
  104. So, when applying for a gig - what's your writing style?
  105. Best T3i settings
  106. Question about lav mics.
  107. Best FR2-LE settings.
  108. How did they do this on set before latops were invented?
  109. Figuring out how good this is.
  110. Overlapping dialog
  111. t2i and h4n production logging
  112. Stuff in the Backgound
  113. Sci-Fi Set Transformation!!
  114. Essential accessories for the Rode NTG-2?
  115. How's the NT2 mic?
  116. Camera Mic or Boom?
  117. How do you stage a fight?
  118. underwater housing
  119. Equipment "luggage" help needed
  120. Production Photos - Share Yours
  121. Production Assistant
  122. Question about camera and field recorder datacards.
  123. Why is it called a Century Stand?
  124. Attention Audio Gods
  125. Bailed crew/cast
  126. We lucked out!
  127. Who uses an iPad on set?
  128. Juicelink CX231 - Any experience with it?
  129. Most important factor
  130. Audio equipment when recording externally?
  131. Who here works with a filmmaking partner?
  132. Super nOOB here. Question about makeup
  133. Getting Sound from a Live Performance
  134. Pickles & Licorice
  135. What type of make up would be good for this?
  136. making doc on bees
  137. Commercial Shoot Stills (HUGE IMGS)
  138. Possible single system audio solution for HDSLR
  139. Experience w/ Genie Lifts?
  140. How do you capture sound for a scene like this?
  141. Director's monitor
  142. Short idea with dolls!
  143. on set creature
  144. $167: 4 day rental of 5D MkII?
  145. tips for making it seems as though there are more actors than there really are
  146. Question about the AT4053b I bought.
  147. Reaction to suggestions
  148. anyone out there good at realistic puppetry effects?
  149. Shooting Talk-Show at home
  150. British Airways Commercial - Behind The Scenes.
  151. any tips for creating creepy lighting to a dark scene?
  152. Me during the scene walkthrough
  153. Dumping cards
  154. Multi-Camera Slating
  155. Mic. Just for vo
  156. Is my shock mount might be defective?
  157. recording voices in the distance
  158. The look of an infomercial..
  159. Faking explosions
  160. 1st AD Blues: The After-Lunch Slowdown...
  161. Camera space? Cards or what?
  162. How did they get sound in this tutorial video?
  163. Syncing Audio
  164. Best shotgun mic and recorder combo
  165. Great Mic/Recorder Pair
  166. > 48khz @ 16 bit Audio: Professional Standard?
  167. Question about dialogue audio.
  168. Zoom H1 tips
  169. Audio assistance!
  170. Sennheiser Me66/K6 Review
  171. Should Get this Light Set?
  172. How should I do this for my next scene shoot?
  173. Refurbished ?
  174. Audio for the budget minded
  175. Audio - I hope I'm posting this in the right spot
  176. Am I asking too much of my DP?
  177. What 1st affordable mic for XL2?
  178. Film Inform - Walkie Ettiquette
  179. How many of you prefer custom white balance?
  180. Behind the scenes - Building a miniature set & filiming - Get Charley
  181. Recording engine sounds (H4n)
  182. The electricity to my location has been cut off. What do I do?
  183. Changing Sound Kit in Middle of Shooting
  184. Shooting a meeting...
  185. Film Infor - Calling a Slate
  186. How do you convey this to your DP?
  187. question about recording audio on set.
  188. THE UNKNOWN (a dedicated production thread)
  189. Questions about production
  190. Sound inside a car
  191. Food for the cast and crew
  192. How to achieve this CRISPY image?
  193. Today's Shoot
  194. Problem with Custom White Balance
  195. The HoBBit: How the Big Boys Are Doing It.
  196. ADR background noise.
  197. The Flight of the Flamingo
  198. sound recording on the beach
  199. Any good reason NOT to use a lav mic?
  200. Just My Thoughts At The Moment
  201. using a fog machine in the woods.
  202. building a cave set.
  203. Production sound recording process
  204. What a Difference a Week Makes!
  205. Mounting an H4n on a DSLR
  206. Pro Audio To Go
  207. Awesome free audio book from the academy!
  208. Tips on creating faux concrete walls?
  209. create fake hole.
  210. Cheap Shoulder Support Stabilizers?
  211. Is using a clapper board really necessary in the age of scratch tracks?
  212. Monitors on set worth it?
  213. Microphone and set up for recording onboard a motorcycle